Riad Sattouf aime à se définir comme un bédéiste auteur-pilote, clin d’œil à son rêve - toujours présent - d’être pilote de ligne. In France, where the first volume took the Fauve d’or prize for best album of the year at the Angoulême international comics festival, it has succeeded in uniting left and right in praise. En octobre, il quitte ainsi Charlie Hebdo après neuf ans de collaboration. Dans un quatrième tome, l’auteur lève le voile sur le vrai visage de son père qu’il admirait. Vivant mal cet échec, l’auteur revient à la bande dessinée. An avid reader of cartoon books and periodicals, sent to him by his grandmother, he was fascinated by them. In France, where the … C'est à l'école des Gobelins qu’Olivier Vatine le remarque et le présente à l'éditeur Guy Delcourt chez qui il publie bientôt sa première série, Petit Verglas, sur un scénario d’Éric Corbeyran. Riad is the eldest son of Clémentine, a reserved French woman, and Abdul-Razak Sattouf, a flamboyant Sunni -Syrian man. For another, the volumes that have been published are written entirely from the point of view of a child, a fact that releases him from the obligation of explaining, or making more nuanced, certain of their seeming judgments. He - as little Riad - is now in middle school, watching as his parents' marriage - the union of a French woman and a Syrian Arab (with a PhD from the Sorbonne) - crumbles. He wants to live with his family in Ter Maaleh, the rural village where he grew up, and where he still (supposedly) owns land. I chose cartoonists. En 2005, il dévoile un one-shot en noir et blanc, publié chez Hachette Littératures, intitulé Retour au collège. Depuis 2014, il est aussi l'auteur d'une série de bande dessinée autobiographique, L'Arabe du futur, qui connaît un grand succès. “No girl ever wanted to date me,” he says, mournfully. And then I realised… if I’m going to do that, I have to tell the whole story right from the beginning.” Did he get his family out in the end? I wanted to do other things first. In the book he represents each country of his childhood with a colour: Libya is yellow, like the desert (with flashes of green for its flag and for Gaddafi’s Green Book); Syria is red, like its ferrous earth; and France is grey blue, like the Brittany coast where he holidayed with his maternal grandmother. La série s’est vendue à plus d’un million d’exemplaires en France et est aussi un succès international[25]. “As a child I drew a guy, and my grandmother was convinced that it was Pompidou, and that I was a genius, and when I saw the look in the eyes of the adults, of course I wanted to be this genius, so I told them, yes, I’d drawn Pompidou. Entre les parents, une faille puis un séisme Si les retrouvailles avec la famille Sattouf – deux ans après le 3e volume – font naître un sourire, celui-ci va très vite se figer. All these terrible things and yet…. . Elle suit le quotidien tragi-comique d'un lead-graphist trentenaire assez loser, dans une société de développement de jeux vidéo. En septembre 2018, selon RTL[32], les ventes pour les trois premiers volumes représentent plus d’un million et demi d’exemplaires et les traductions existent dans vingt-deux langues, mais pas en arabe. Still, you can see why people want, even crave, more of him. Il dessine également l’affiche anniversaire du musée[23]. But I will say that it is very frightening to see that monsters can be nice guys, too, and that nice guys also have their dark sides.” Finding a voice for this book – for all its unbearable truths, it is funny and warm, too – has come as a huge relief to him: “It’s strange. Riad Sattouf is a best-selling cartoonist and filmmaker who grew up in Syria and Libya and now lives in Paris. Le pénis étant un symbole très important, quand un groupe d’hommes, autre que son père, montre à un enfant qu’il a le pouvoir de le maîtriser et de lui en couper un morceau, ce groupe exprime qu’il a le pouvoir d’en couper plus si jamais le besoin s’en fait sentir[7]. The first volume ends with a scene of shocking violence, as Clémentine sees a group of boys torture a puppy - and with Abdel-Razak’s promise to the terrified Riad that he, “the Arab of the future”, will soon start school. En 2002, il installe un atelier parisien avec les dessinateurs Christophe Blain, Mathieu Sapin et Joann Sfar[6]. Ce roman graphique est le fruit d’une immersion de deux semaines comme observateur au sein d’une classe dans un collège des beaux quartiers parisiens. La même année, il coproduit Le Redoutable, sixième long métrage du réalisateur Michel Hazanavicius, mais aussi une future série d’animation pour la chaîne Canal +, adaptée de son succès critique et public en librairie, Les Cahiers d'Esther, dont le tome 3 sort au mois de novembre[29]. . The Arab of the Future, however, begins a little before this, with his parents’ first encounter – in the book they have the names Clémentine and Abdel-Razak – in a canteen at the Sorbonne. Il rejoint L'Obs, où il publiera désormais chaque semaine Les Cahiers d'Esther, d’après les histoires vraies d’une petite fille. For a moment there is a palpable sense that we’re now sailing towards treacherous waters, depths I would like to explore. At this kind of event, his habit is always to ask those who come up to meet him what they do for a living, and so it was that on this day a young woman replied to his regular question with the words: “I’m a geopolitical analyst specialising in the Middle East at the Quai d’Orsay [the French ministry of foreign affairs].” Suddenly, Sattouf was all ears. My goal from then on was to be looked at like that again. Cela dit, je ne sais pas dans quelle mesure je peux l’interpréter. Gradually, though, his enthusiasm wanes. Clémentine and Abdel -Razak, pseudonyms for Riad Sattouf’s parents, meet for the first time, as students in the Paris of 1978. An insecure braggart who often ends up being humiliated, Sattouf’s portrait of him is at once biting and touching; there is pathos in his disillusionments, and the way he tries to paper over them, but we also see him slowly abandoning himself to the superstitions and cultural traditions he once so loudly claimed to disdain. He grins. Un article de Wikipédia, l'encyclopédie libre. When Gaddafi brings in a new law forcing people to swap jobs – teachers will become farmers, and farmers, teachers – he takes fright, returning with his wife and son to France sooner than planned. So, off the family troops. Entre un père aigri et phraseur, frustré de n’avoir pas eu la carrière universitaire qu’il méritait selon lui, tiraillé par le … It has been almost a decade since Col. Muammar el-Qaddafi took power and three years since the … De cette rencontre improbable naîtra Riad Sattouf, enfant blond aux cheveux longs, promis à un brillant avenir par son père qui projette d’en faire l’Arabe du futur. Riad Sattouf participe également à la collection jeunesse des […] This is true, and I feel it very deeply.”, Does he believe that following the attacks on Charlie Hebdo and, 11 months later, at the Bataclan theatre and elsewhere, France is growing more intolerant? It’s true that from the moment the demonstrations against Assad began in 2011, he was filled with foreboding: “I was sure there would be a war, and I was convinced it would lead to the complete destruction of the country.”, But this is as far as he will go. Il livre deux autres albums en 2004 et 2005, qui continuent à employer un style graphique qui va désormais être le sien[9]. Pas vraiment. En 2010, Pascal Brutal remporte le Prix du meilleur album[11]. Il racontera plus tard que la découverte des aventures de Tintin, à l'âge de cinq ans, « a déterminé la suite de [s]on existence » . Sattouf commence alors à sortir du monde de la bande dessinée : il se lance ainsi dans la postsynchronisation en prêtant sa voix à Petit Vampire dans le dessin animé adapté de la bande dessinée de son ami Joann Sfar[10]. By this point, his son Riad, an adorable creature with luxuriant blond hair, is two years old. A major theme of the novel is how young Riad looks up to his father as a hero. The family is given a house but no keys because the Great Leader has abolished private property; one day they come home to find it occupied by another family. Riad Sattouf’s early artistic endeavours, documented in the award-winning first volume of The Arab of the Future, now about to be published in the UK. “You don’t kill someone for that,” the man says. “No newspaper would write about it, except for Charlie Hebdo because they hated the censor. The first Arabic he learns is “Yahudi”, which means “Jew” and is the word they hurl at him by way of an insult. Riad Sattouf photographed in Paris for the Observer. Il partage les premières années de sa vie entre la Libye, la Syrie et la France. Cette dernière année, il signe aussi le scénario de Laura & Patrick, les aventures décalées d’un savant amnésique sur une île déserte, dessinées par Mathieu Sapin, pour l’éditeur jeunesse Lito. I sat there thinking: oh, God, I want to make a comic about this. Not so long ago, the French cartoonist Riad Sattouf was signing books at a Paris librairie. Everyone is always saying Marine le Pen is coming, but she never arrives.”, He has almost never been the victim of racism himself. En janvier 2014, il dévoile un deuxième long métrage beaucoup plus expérimental que son premier essai, intitulé Jacky au royaume des filles. “Nice try!” he’ll say, asked a question he’d rather avoid. Deux albums sortent en 2005 et 2006. En 2012, il dessine le nouveau visage d’Ulysse, le personnage emblématique des pages critiques de l’hebdomadaire Télérama[13]. After passing his baccalaureate he went to art school in Nantes, and studied animation in Paris; he signed his first publishing contract at 18, “before I had even had my first girlfriend” (he now lives with his partner and their son). Il entre à l'école Pivaut et par la suite à l'école des Gobelins, dans la section animation[3]. Retour sur un parcours atypique. Share this: Tweet; ... 2 commentaires pour Riad Sattouf, l’Arabe du Futur, Tomes 1,2,3,4,5. jrfou dit : 2 décembre 2020 à 18 h 57 min. Riad Sattouf a « plein de projets en attente dans sa tête ». But I had to tell them that political cartoons weren’t my thing. “That’s because I’m not really human,” he says, in a comedy alien voice, his eyes two marbles about to drop from their sockets. Trois tomes sortent entre 2000 et 2002. But then, just as quickly, he tacks away, somehow turning the anecdote into a complicated joke (it involves goat excrement, is all I can tell you). Le réalisateur, scénariste et auteur-dessinateur de BD, Riad Sattouf, est l'invité d'Ali Baddou à l'occasion de la parution du 4ème tome de la série "L'arabe du Futur" (éditions Allary). Par sa grand-mère maternelle, il est issu d'une famille de Terre-neuvas et descendrait du corsaire et capitaine au long-cours Vincent François Tranchant (1769-1854) .

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